Tag: artists at work

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Himalayan Foothills Sunrise, Kunjapuri Devi Temple, Rishikesh, Uttarakhand, India

Gratitude ~ Pic and a Word Challenge #150

The sun rises into a cloud-softened sky
Gentle foothills roll lazily to a distant horizon
A solo journey through an ungentle darkness ends
As I arrive in the light I realize
I am no longer alone, was never really alone
That no one arrives in such light
Entirely alone

I am struck by the depth of gratitude
Rising like a sun with my own inner light
For the guidance, support and encouragement
Offered by family and friends and mentors
And the generous kindness of strangers
Who have made of themselves
Friends

I stand here
In the light
With my platoon
Ready to take on
Anything

Thank You

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Gallery Bistro, Port Moody, British Columbia, Patrick Jennings' show of photographs, poetry and stories is now on the walls.

The Unlikely Path

Photography came early. In high school. Late ‘70s. With my father’s Nikkormat and Mr. Haust’s photography class. There was a year as a “Photographic Illustration” undergrad at Rochester Institute of Technology, one of the best photography schools in the Americas, at the end of which my professor said, “Patrick, I don’t think you’re going to be a photographer.” In the sense that he meant, at the time, he was right. I’m not much of a “Photographic Illustrator”; I don’t make my living from photography. But, then, here am I.

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Ganga Angel, Dashashwamedh Ghat, The Ganges River, Varanasi, Uttar Pradesh, India

Ganga Angel

I don’t photograph people all that often. Landscapes, abstracts, architecture. I like to work with compositional forms, with textures, with the play of light, looking at things that stay still for the camera, for my eye. Thinking on it now, there’s a deep level of intimacy in my approach to the subject as I circle and study it, taking numerous test shots while seeking just the right frame, just the right POV.

It’s an intense study of subject I don’t feel comfortable exploring with people. I tell myself, “I’m getting too much in someone’s face,” but I know it’s just as much putting them in my face. The subject has eyes, and a mind, and both are looking right back at me. Too intimate!