I don’t photograph people all that often. Landscapes, abstracts, architecture. I like to work with compositional forms, with textures, with the play of light, looking at things that stay still for the camera, for my eye. Thinking on it now, there’s a deep level of intimacy in my approach to the subject as I circle and study it, taking numerous test shots while seeking just the right frame, just the right POV.

It’s an intense study of subject I don’t feel comfortable exploring with people. I tell myself, “I’m getting too much in someone’s face,” but I know it’s just as much putting them in my face. The subject has eyes, and a mind, and both are looking right back at me. Too intimate!