In every journey
At which I’ve turned
For home
No more forward looking
No more anticipation
But for the threshold
And my own bed
No more forward looking
No more anticipation
But for the threshold
And my own bed
it said, in a staccato burst of bold white stencils the building’s entire length. Eight windows sheathed in brown plywood, each with a stencil, right in the center.
A stencil, and bills. A few, or a pattern of eight or more. Posters posted over the admonition, over the order, “POST NO BILLS”.
Come play with me!
Come play!
So I put my words away
My oh-so-many words
Take out my camera
And play with a sphere of letters
Eight years ago, right about this time, my life was a process of transformations. Significant ones. Life changers. World changers. Personal, spiritual, career, love: you name it, it was changing. It seemed like Bif Naked had a song for every single transformation, every single condition I was experiencing.
sun, rain, wind
the seasons
And I?
I spread my branches
all grace and reverence
basking in magnificence
I will not count them: the prayer wheels, the meters, the pilgrims, the steps, the number of times I will feel the smooth patina of wood against my palm. I say to Emma: “I want to do this.” She assents.
Carrying their openness
And prejudice
With equal tenacity
Conscious only
Of their openness
While steel rails compress
Concrete ties depress
And the ground rumbles
Trembling underfoot